Jackie Greene brings Americana back to life
By: Sam Robertson
Issue date: 4/11/08 Section: The Arts
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Greene, who is only 27 years old, has already explored most genres of American music. On his first album, "Gone Wanderin'," he mostly sticks to an acoustic guitar and harmonica sound. Although Greene has never explored the protest folk music that populated Dylan's early albums, his combination of acoustic guitar and harmonica is undoubtedly reminiscent of early Dylan, although a couple of songs featured an electric backing band to mix the sound up. On his next two albums, Greene followed the same guitar and harmonica pattern but would have a few rock and roll songs on each to mix them up.
On his 2006 album, "American Myth," Greene diversified and used an official electric backing band for the first time. Drums, bass, keyboard, electric guitar and sometimes other instruments now augmented his original sound. The country rock and roll sound that flowed steadily throughout the album led the New York Times to dub him the "Prince of Americana." This was a new sound for Greene, but the album was more commercial sounding and received more airplay than his previous efforts. Former Grateful Dead bassist, Phil Lesh, happened to hear the album on the radio and see Greene perform at Bonnaroo that year. He was so impressed that he recruited Greene to play in his band. Playing lead guitar in Phil Lesh & Friends, a band where lengthy solos and explorations into space are standard, also allowed Greene to show off his prodigious guitar talent. Greene said, "I was never a Deadhead and I'm kinda turning into one now because I've gotten to discover all this music that I never knew." Despite never listening to very much Grateful Dead in his past, the band certainly has a strong influence on him now. Greene admits that his exposure to that band has influenced his musical arrangements and lyrics and said that the final song and centerpiece of the album "Ghosts of Promised Lands" is a "San Francisco song" that wouldn't have sounded out of place on a Grateful Dead album. In fact, the album owes much of its overall sound to the loose country folk rock that the Dead invented with the single in 1970.
2008 Woodie Awards

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